Showing posts with label new ideas. Show all posts
Showing posts with label new ideas. Show all posts

Sunday, September 23, 2012

The 5 Cs of the Classroom Web: Connect, Collaborate, Create, Crap-Detect, Commons-Sense

I just re-discovered a video I made in August using Screencast-O-Matic and thought I'd share it. Why? Yesterday, meeting for coffee with some of my #literacies Tweeps (AKA, Literacies Live), a young teacher at another table keep turning to listen to our conversation about web-based tools in the classroom. She shared some of her frustrations with using VoiceThread with her students and I was reminded, one again, how it's not the tool, it's the pedagogy, and even more important, the mindset you have about bringing the Web to school.

Maybe this video will offer someone a helpful perspective, or maybe it will muddy the waters. Please let me know! 

After I discovered Screencast-O-Matic this past summer I needed a little project so I could learn it, so I joined my class in completing the final assignment. It was the kind of assignment that makes students crazy: wide open, but I still argue that this is the most valuable kind of assignment. Here it is, cut & pasted from the course wiki.

Inquiry Project
As the class has progressed through Web-based experiments, theories about digital learning, and more technology bloopers than I have ever experienced, you know enough to see how much there is to learn about this digital world. I believe that you also have discovered a bit more about yourself as an explorer-risk taker, and you have honed questions and larger concerns about the place of technologies in teaching and learning. The purpose of this final activity is for you to inquire into a question, issue, curiosity, or goal that is of interest to you, and, as a result of the inquiry, to contribute to the class Commons a product that has the potential to add to the knowledge, skills, questions, perspectives, etc. of your colleagues.
Components
  • Description of your inquiry or goal and what inspired it.
  • Discussion of the research, theories, examples etc. that have guided your thinking about this inquiry.
  • The product that emerged from your exploration. This must not be physical in nature, i.e., no paper, plastic, or other materials may be used.
  • A description of the path you took-- what kinds of issues, questions, new ideas, etc. did you have to consider as you proceeded? (In other words, what would you want fellow explorers to know before they start-- or, what do you wish you had known?)
  • You'll share all of the above elements as part of the final product, which, again, may not be paper-based.
I encourage you to use many modes, sources, resources, etc. to explore and/or represent your ideas. Your final product does not have to be fancy, flashy, a gazillion pages of alphabetic text, just an honest reflection of your mental work and your collaborative efforts. And if you end your project with more questions than you started, that is fine-- those questions can be part of the product. 'Failure' may also be part of the product.

Not acceptable:Shallow thinking, minimal effort, letting other people do the work, giving up.
Use your imagination. Have fun.
A little background information for the video:
The "Commons" is a term that describes an ethos of the Web as a place where information is freely shared, thereby making it possible for people to create new knowledge, art, literature, etc., in order to better humans & the world.

In our class, we talked about the importance of using Web-based tools in our classrooms within a larger framework (i.e., vision). We talked about Henry Jenkins ideas of Participatory Culture, and used Five Cs as principles around which to design opportunities for learning: Connect, Collaborate, Create, Crap-Detect, Commons-Sense. This list was influenced by Howard Rheingold 's wonderful work, which I remixed a bit for the class.  You'll see some of Jenkins' & Rheingold's ideas in the (teensy) white text in the last slides. I hadn't planned to share the video publicly, so my BIG apologies for not incorporating credits for all pieces of it.

I'd be interested in knowing what you think.






Saturday, August 4, 2012

Make the Road by Walking: Six Weeks Closer to the New Unknown

I give my students, pre- and in-service teachers, a lot of credit. After about five weeks of intensive reading (i.e., new literacies, participatory culture, youth and digital life, etc. ), venturing into the wilds of the Web to play with a wide range of tools (e.g., Google Docs, Google Reader, Animoto, Flickr, podcasting, blogging, TitanPad, TodaysMeet, Adobe Connect, Skype, Twitter), they've gone off in teams of two and three to create a product that will feed our class Commons (hat tip to Howard Rheingold and Lawrence Lessig for that concept), and address a question or idea that matters to them related to teaching, learning, and/or "English." Their overarching mission is to see what happens when they try to use principles of new learning as the context for their teaching.

The idea that educators work with a trio of knowledges-- pedagogic, content, and technological-- within a social & cultural context comes from the TPACK model. According to the TPACK Website
Technological Pedagogical Content Knowledge (TPACK) attempts to identify the nature of knowledge required by teachers for technology integration in their teaching, while addressing the complex, multifaceted and situated nature of teacher knowledge. At the heart of the TPACK framework, is the complex interplay of three primary forms of knowledge: Content (CK), Pedagogy (PK), and Technology (TK). 
All I do is insist that my students swap an Industrial Age context for a context comprised of new definitions of literacy, new mindsets about communication, knowledge, economies, and participation in society, and new technologies.

There are lots of lists of the elements that make up the new contexts for learning. To keep it simple, we use five. Drawn from the work of Howard Rheingold and others, they are: Connection, Collaboration, Creation, Crap Detection, and Commons-Sense. These five terms capture the spirit of the complex and varied ideas about the new literacies needed for our evolving social contexts.

What students need to know how to do, ways they need to be able to think and work-- all of these things are radically different in a world described above than the Industrial world in which so many of us grew up.

Being Connected means being conscious of living in a world larger than one's immediate life and seeking connections to that larger world, usually by means of technologies, i.e., the World Wide Web. Collaboration speaks to new ways of working made possible by the dissolution of rigid social lines. Creation is the act of making new knowledge for the benefit of the larger community.

Crap Detection: the skills to 'read' messages being conveyed about people, places, ways of being.  Postman's (1969) "Bullshit and the Art of Crap Detection", for example, and Rheingold's 2009 "Crap Detection 101" encompasses media and information literacies, as well as skills described as essential for a participatory culture (Jenkins et. al., 2008), and even broad ideas of critical literacy (Luke).

Commons-Sense refers to the belief that, in this new society, information must be freely accessible in order for people to continue to build knowledge that can benefit everyone-- i.e., the Commons. Ideas that information can be "owned," i.e., via copyright, are counterproductive to knowledge creation, and Creative Commons Licensing is a new way to protect rights of content creators while making information accessible to others.



I imagine that this is not what many of my students expected from this course. It would be so much simpler to write a list of Web-based tools on the board, ask them to dream up cool ways to use the tools in the classroom, and then to require that these be written up as lesson plans. But that's not what's needed for the transformation of education. It's barely even change. It is the substitution of new technologies for old, in order to do the same old thing, only more efficiently-- "old wine in new bottles" (Lankshear and Knobel. 2006. p. 55).

I keep telling my students that this is really hard. That we don't know what the answers are. That, together, we will create them.

Some students are keen to try their hands at seamless integration of tools into lessons. Others are trying to see how/if traditional concepts of humanities could be brought to a new place within the new context. Still others are trying to see if sustained silent reading could transformed. I can't wait to see what they've created.


Jenkins, H., Purushotoma, R., Clinton, K., Weigel, M., & Robison, A. (2008, March). Confronting the challenges of participatory culture: media education for the 21st century. Retrieved from http://digitallearning.macfound.org/atf/cf/%7B7E45C7E0-A3E0-4B89-AC9C-E807E1B0AE4E%7D/JENKINS_WHITE_PAPER.PDF
Lankshear, C., & Knobel, M. (2006). New literacies: Everyday practices & classroom learning (2nd ed.). New York: McGraw Hill.













Wednesday, July 18, 2012

Target Practice, or, What Many of My Students Feel Like at this Point in the Term



You've seen the cartoons, the unlikely ones, where the duck or the rabbit is in the batting cage or on the tennis court with the machine that spits the balls. Suddenly, the machine starts spewing balls so fast that the athlete crumples under the assault.

It's not fashionable to blog about the icky moments in teaching, the ones where you're suddenly aware that you are not only working without a net, you're not even on the tightrope, and the class time, the semester, is running out.  Think of what happened with Michael Wesch. A colleague comes up to him and says that Wesch's tech-filled lessons have been a dismal failure for him. Wesch writes about it. Suddenly, the headlines blare that Wesch is renouncing technology in his teaching.

You can read a situation in many ways. I read Wesch's situation not as a cautionary tale about using technology in one's teaching, but as recognition of something we've always known: teachers have individual styles and, the more experienced they are, the more established their comfort zones. It is tough to leave the comfort zone, whatever that may be. But teaching through this new time is tough, and this seems like a valuable conversation to have.


So I'm teaching this course, Literacies & Technologies in the Secondary English Classroom, in one of those summer sessions where you do 15 weeks of work in 6. Not optimal for grappling with complex subjects, but you do what you have to do. Some may think that what I'm trying to do is ridiculous. I run the risk of some of those people being my students. I run the risk of creating a situation where the reading and activities come so fast, from so many directions, that it feels like an assault. A big, frustrating blur of ideas, whizzing by. Or, even worse, projectiles screaming through the air, some smacking against into the body before they bounce off, roll away.

True, deep learning is usually uncomfortable. It should rock your ideas to the core, make you roll back on your heels and say, WHOA, I never thought of it like that. Cognitive dissonance, I tell my students. Learn to love it sit through it.

But there are so many layers. Let me try to sketch these out.

It's hard to talk about the profound changes that are rocking our teaching and learning lives as a result of the exponential changes in information & communication technologies, particularly the Web, if the Web isn't woven through people's daily lives. I'm not talking just individual tools here. I'm talking about a different way of seeing, of being, that comes as a result of mindful playing with whatever Web-ness one can grab. So I ask them to go out on the Web and see what's there. To tinker. And I design assignments that push against some of the traditionally basic tenets of our subject area, English, as well as some of the practices that are traditionally considered "best."

Over the semesters I've taught this course, I've seen that even this one layer is challenging in so many ways:
The computers. How do you turn them on? How do you sign in to the College's system? The wiki, the blog, the shared folder of documents-- the passwords. So many passwords. So many pages on the wiki. Which page are we on? How will I get back to it? How do I find something? Tags? What's that? Wait, how will I know my blogging partners have written? Oh, the new blog title is bolded in my Google Reader. Oh, that means I need to check it regularly.

I count at least a dozen balls alone in the paragraph above.

Then we add a new layer. We read. It's not easy reading, either, and the ideas? They are so unsettling. Since when did literacy go plural? What's the difference between Discourse and discourse? (and why should I care?) And what about books, and literature, and.... (So many ideas, so many projectiles, help, I'm dying here.)

Then we start talking about the so what. If we can have class in a virtual space and see each other and talk to each other, what's the purpose of place-- a classroom, a building. If anybody can add a wiki page, write something that challenges what the teacher says, suggest that deadlines or projects or readings be changed, then what's the purpose of a set-in-stone syllabus (curriculum)? What counts as learning? Who decides?

Then there's reality. How can any of this make sense when every site is blocked in my school? When we don't have computers? When we spend the entire year preparing for tests because we're a turn-around school? Why aren't you telling us the answers?

Because we haven't created them yet.

In my head, of course,  loom the fears. The awareness that everything students might be thinking about me as a teacher could be true: I'm disorganized, indecisive, ignorant. That I sound like a nut case. That the course, already on the outer reaches of the department's priorities for teacher preparation, is going to fizzle and die.

Today I'm going in to do the thing I usually do at this point in the semester. More risk. More projectiles.

More opportunities to learn.





Image: boles grounge by Miquel Bohigas Costabella via Creative Commons License BY-NC-ND 2.0